There’s a banter between Sherlock Holmes and Dr. Watson that, when done properly, is musical. The contrast between the flabbergasted Watson, played in 1979’s “Murder by Decree” by James Mason, and the exuberant Sherlock Holmes (Christopher Plummer), creates a rhythm.

The opening credits of “The Etruscan Smile” waste no time. Just a logo and some company credits, then the directing credit for co-directors Oded Binnun and Mihal Brezis. That’s it. We then jump to the title screen and are off and running with the movie.

Say the numbers “40” and “41” to a Chicago Bears fan and it’s an almost sure bet they’ll know who you mean. For the rest of us, these numbers belong to Gale Sayers and Brian Piccolo, two running backs for the Bears who both came to the team in 1965.

Possessed cheese is a thing. At least it is according to “Extra Ordinary,” a comedy from Ireland about a driving instructor named Rose Dooley (Maeve Higgins) who also has the gift to communicate with ghosts. “Gift” though, is the wrong word.

It’s been standard for a while for modestly budgeted motion pictures to use Toronto, Ontario, as a stand in for New York. The city structure, climate, and architecture are close enough to make it believable. As of “The Invisible Man,” we can add another replacement city to the list.

The 3D animated movies made by Pixar look good—really good. They’ve been impressing audiences with their depth of field, light and shadow, and their own rules of physics for the past twenty-five years. This is great, but they also have not changed much in that time.

If a movie like “The Call of the Wild” doesn’t give you a hankering to see the Alaska and the Yukon territory in Canada, nothing will.

Looking up director Osgood Perkins (son of Anthony Perkins of “Psycho” fame, for those keeping score of such things) on IMDB, I discovered that he started his directing career in 2015. This is because most of his credits are as an actor under the name Oz Perkins.